Karina Aguilera Skvirsky   Projects   Bio   Press   Links   Contact    News 
         
             

News

 

Current: On View

 

Memories of Development (excerpts) at la EX CULPABLE

Opening Reception: Saturday, February 6 2010, 8p

sucre 101, barranco, Lima, Peru

Artist Talk: Monday, February 8 2010, 7p

Escuelab, belen 1042, 5th Floor, Lima Peru

http://escuelab.org/

 

Tia Teresa's Bedroom, Urdenor, Guayaquil, Ecuador, 20" x 25", archival inkjet print, 2009

EFA Project Space announces Companion, an exhibition of artworks contextualized with the source that influenced their creation. Companion culls cultural projects that draw inspiration from history, culture, and science.

Curated by: Marisa Jahn

Opening Reception: Friday, January 15, 2010, 6-8 pm

Venue:
EFA Project Space
The Elizabeth Foundation for the Arts
323 West 39th St. b/w 8th and 9th Aves., 2nd floor

 

For more information:

http://www.rev-it.org/projects/companion.htm

 

 

Still from "The End is Near but I don't want to go", Artist Book, 2010

Narrative Sequences @ The Center for Book Arts

28 West 27th Street, 3rd Floor

Opening Reception: January 20 6-8pm

Participating artists include, Christoff Baron, Zane Berzina, Chris Bierl, Jay Bolotin, Sang-ah Choi, Beatrice Coron, Bill Creston, Kahn/Selesnick, Ben Katchor, Rachel Lumsden, Rafael Mundi, Heidi Neilson, Julia Schmid, Karina Aguilera Skvirsky, Simona Soare.

Organized by Maddy Rosenberg, Artist

Exhibition: January 20, 2010 - April 3, 2010

For more info: http://www.centerforbookarts.org/

 

Antojo/Desire, Single Channel Video, Video Still, 2009

Playlist 2007-2009


Opening Reception: January 7 6:30p

Museo Municipal de Guayaquil
Sucre entre Chile y Pedro Carbo

Curated by: Rodolfo Kronfle Chambers y Cristóbal Zapata

Exhibition: Jan. 7-Feb. 6 2010

more info: http://www.riorevuelto.blogspot.com

 

Recent Events & Exhibitions

 

Gioconda, single channel video, 7 minutes, video stills, 2007

Gioconda is included in "Finding Work, Labor in Contemporary Art", curated by Keith Miller

1 Washington Place @ 715 Broadway

Gallatin Galleries, NYU, NY NY

Opening: Friday, November 13, 2009 6-8p

Panel Discussion: Tuesday, November 17 7:30p

The Panel Discussion, entitled "The Image of Labor" will be held in

the Jerry H. Labowitz Theatre for the Performing Arts

Panelists include: Carol Quirke, Esther Cohen, Molly Pearl and myself!

Karina Aguilera Skvirsky | Photography | Video

http://www.nyu.edu/gallatin/gallery/

 

 

Installation photo of Antojo in Playlist at Galeria Proceso in Cuenca, Ecuador, 2009

Playlist will be exhibited in Cuenca, Ecuador from Oct. 23-Dec. 4, 2009 and then will travel to Guayaquil, Ecuador in January 2010.

To view the catalogue from Playlist look at Rodolfo Kronfle's blog. www.riorevuelto.blogspot.com

 

 

Homeless Family (with detail), 12" x 15", archival inkjet print, 2009

My Pictures from 1978 by Karina Skvirsky (from Memories of Development Project)

and Antojo (pictured below) was inlcuded in "Playlist" curated by Rodolfo Kronfle-Chambers and Cristóbal Zapata, at Galeria Proceso, Cuenca, Ecuador in conjunction with the Bienal de Cuenca. Opening October 23, 2009

Please let me know if you find yourself in Cuenca! I will be there.

www.riorevuelto.blogspot.com

 

Antojo/Desire, Single Channel Video, Video Stills, 2009

OPEN STUDIOS 2009: October 15-17

Open Studios at the Elizabeth Foundation for the Arts

323 W. 39th St. Suite 908

NY NY

http://www.efanyc.org/open-studios/

Opening Reception: Thursday, Oct. 15, 6:00-10:00pm
Open Studios: Friday, Oct. 16, 6:00-9:00pm
Open Studios: Saturday, Oct. 17, 1:00-5:00pm

 

The End is Near, Artist Book (in progress), Oct. 2009

NY BOOK FAIR


Panel Discussion: The Handmade Multiple featuring former and current Center Artists-in-Residence Nicolas Dumit Estevez, Catarina Leitão, Karina Skvirsky, and James Walsh.
Sunday, October 4 at 12:30 PM in The Classroom at PS1 Contemporary Art Center

Where: PS1 Contemporary Art Center,
22-25 Jackson Ave at the intersection of 46th Ave
Long Island City, NY 11101




Atta Boy Jim, Video Still, 2008

North·East·South was included in Racism: An American Family Value from July 8-Sept. 12, 2009, co-organized by Alexander Campos, Executive Director and Amos Kennedy at the Center for Book Arts, NY NY.

George Armwood, lynched in Salisbury, MD, 1933, 2007, C-Print, 30” x 24”

North·East·South was included in Area Artists 2009, curated by Ricardo Viera at the Siegle Gallery, Lehigh University January 19-May 1 and Other, Other...curated by Wanda Raimundo-Ortiz at Longwood Arts Project, Bronx, NY. Summer 2008


For more information: http://www.longwoodcyber.org and http://www.luag.org/pages/viewfull.cfm?ElementID=543


Upcoming Project

 

Memories of Development (MOD) will investigate the psychological and cultural legacy of Latin America’s "third world" status through performance, video and photography using my childhood memories of growing up in Guayaquil, Ecuador as an entry point.

Referencing Tomas Alea's Cuban film, Memories of Underdevelopment (1968), my project will explore the proposition that underdevelopment describes a state of mind as much as an economic condition. While Alea investigates the mind-set of underdevelopment that lingers in the unconscious as Cuba addresses economic neo-colonialism through its post-revolutionary restructuring, my MOD will revisit the idea of the “developing nation” generating an inescapable repository of images in émigrés long after leaving home.


Publications



Backyards has been published in Photographic Quarterly’s Spring 2008 issue,
Imaging War. http://www.cpw.org/PQ/PQ_MAIN/pq_a.html

An excerpt from Ariel Shanberg’s essay:

The photographers featured in this issue of Pq reflect a range of conatact with and perspectives of our war in Iraq. Benjamin Busch and Farah Nosh present images from Iraq itself. Each with their own unique prospective bring our attention to life in Iraq. Suzanne Opton’s portraits of soldiers evoke the tremendous level of sacrificethese men and women continue to make. Jean Christian Boucart and Karina Aguilera Skvirsky each appropriate images made in Iraq and reinterpret them on U.S. soil. Spurred by the current war and the Bush administrations Martha Rosler revisits visual strategies she established in response to the Vietnam War. Together these image-makers seek to stir emotion, elicit a response and instill change. They do this through strategies and visual approaches that defy the standard ubiquitous delivery systems, which we have grown desensitized to.